Dawoud Bey
Street Portraits
Dawoud Bey. ‘A Shirtless Young Man’, Brooklyn, NY 1988, from Street Portraits (MACK, 2021). Courtesy the artist and MACK.
MACK, 2021
Includes an essay by Greg Tate
24 x 28.5 cm | 144 pp | Embossed hardback with two tip-ins | English
From 1988 to 1991 Dawoud Bey made a series of portraits of African Americans in the streets of various American cities. Using a large-format tripod-mounted camera and a unique positive/negative Polaroid film that created both an instant print and a reusable negative, he asked a cross-section of the populations of these communities to pose for him, creating a space of self-presentation and performance in the streets of the urban environment. As part of every encounter, Bey gave each person a small black-and-white Polaroid print for themselves as a way of reciprocating and returning something to the people who had allowed him to make their portrait. Defying racial stereotypes, the resulting portraits reveal the Black subjects in all of their psychologically rich complexity, presenting themselves openly and intimately to the camera, the viewer, and the world.
Book cover, Dawoud Bey ‘Street Portraits’, MACK, 2021.
Dawoud Bey. ‘A Girl with School Medals’, Brooklyn, NY 1988, from Street Portraits (MACK, 2021). Courtesy the artist and MACK.
Dawoud Bey. ‘A Young Man Resting on an Exercise Bike’, Amityville, NY 1988, from Street Portraits (MACK, 2021). Courtesy the artist and MACK.