We value your privacy

We use cookies to enhance your browsing experience, serve personalized ads or content, and analyze our traffic. By clicking "Accept All", you consent to our use of cookies.

Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

DOUBLE TAKE: CORTIS & SONDEREGGER

Cortis & Sonderegger, Making of Concorde by Toshihko Sato (2000) 2013 from the series Icons

Artists Cortis & Sonderegger discuss with Brett Rogers their photographic practice, including their project ICONS, which saw the artists recreate iconic historic photographs, in the studio in miniature out of craft materials. They explore their ideas “to outwit the documentary aspect of photography” as well as the motives and intricacies behind this project which include the recreation of such photographs as La Cour du Domaine du Gras, 1826, by Nicéphore Niépce and more politically charged images like Tiananmen, 1989, by Stuart Franklin.

Trailer

Jojakim Cortis and Adrian Sonderegger are Swiss artists who began their collaboration in 2005, focusing their artistic practice on conceiving and manufacturing surreal worlds in compositions of “staged” photography.
Brett Rogers OBE is the Director of The Photographers’ Gallery.

 

Back to all videos