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Lessons of the Hour by Frederick Douglass by Isaac Julien
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Ha Aretz by Roger Grasas
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Another Country by Gerry Badger
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Birds by Tim Flach
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Kathrin Linkersdorff
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Sabata Cash by Marianne Marić
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Valparaiso by Marianne Marić
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Joy Division: Juvenes by Kevin Cummins
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Vanuatu by Bernard Sabrier
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Floridas by David Campany and Anastasia Samoylova
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House Hunting, Outskirts by Todd Hido
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Time Is No Longer Round by Timothy Persons, Birta Gudjonsdottir
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Chroma 1978 – 1985 Vol 1. by Timothy Persons & Lyle C. Rexer
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Take Me to Live with You. A Social Family Album by Sonia Lenzi
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1078 Blue Skies / 4432 Days by Anton Kusters
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Terre à l’Amend – Mark Power
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Sour-Puss: The Opera by Diogo Duarte and Jessica Mitchell
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Traces by Luzia Simons
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Nocturno by Andrej Lamut
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Holding The Baby by Polly Braden
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Colour Works: The 1980s and 1990s by Homer Sykes
Colour Works: The 1980s and 1990s by Homer Sykes
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“Reclaimed” and “Drained” by Paul Hart
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A FOREIGN LAND by ALASTAIR WHITTON
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Rose Sarajevo by Marianne Marić
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Work The Soul Must Have by Johanna Tagada Hoffbeck
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Image text Music by Catherine Taylor
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A Mesma Luta by Rosa Gauditano
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X by Charles Moriarty
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Stones from the Inside by Bill Wyman
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Goin’ Home with The Rolling Stones ’66 by Gered Mankowitz
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Between Reality and Fiction by Javier Molina
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Mayfair Portraits by Robert John Watson
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Rollercoasting by Frank Watson
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OK, NO RESPONSE by Lucy Helton and Aaron Schuman
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Louise Bourgeois: An Intimate Portrait by Jean-François Jaussaud
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Surrealist Weekends – Farleys in the Fifties by Antony Penrose
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Form & Function by Chloe Rosser
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My Father’s Things by Wendy Aldiss
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Big Fence / Pitcairn Island by Rhiannon Adam
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I like you, I like you a lot by Alicja Dobrucka
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Dark Atlas by Perttu Saksa
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Cut it Short by Michal Solarski and Tomasz Liboska
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Bank Top by Craig Easton
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The Settlements by Ken Taranto
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Ever Young by James Barnor
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Serpentine exhibition catalogue by James Barnor
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The Roadmaker by James Barnor
The Last Resort
Things Aren’t Always As Mother Reports by Paul Cohen
The Men Who Would Be King by Christopher Lord and Jon Tonks
The Prince of Shadows by Saïdou Dicko and Michaëla Hadji-Minaglou